https://nova.newcastle.edu.au/vital/access/ /manager/Index en-au 5 Tarare https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:35601 Wed 11 Sep 2019 17:44:02 AEST ]]> Public remembering, private reminiscing: French military memoirs and the revolutionary and Napoleonic wars https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:9294 Sat 24 Mar 2018 10:45:19 AEDT ]]> Violence and the revolutionary and Napoleonic wars: massacre, conquest and the imperial enterprise https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:16131 Sat 24 Mar 2018 07:55:19 AEDT ]]> Images of Napoleon and the empire https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:3688 Sat 24 Mar 2018 07:23:02 AEDT ]]> Porous borders: the passport as an access metaphor in Laurence Sterne's 'A Sentimental Journey' https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:32149 A Sentimental Journey Through France and Italy (1768) includes among its scenes and vignettes a suite of chapters devoted to what would later, in the wake of the French Revolution, become a standard motif of British travel writing: the passport, seen both as an instrument of control and as a means of gaining access to otherwise restricted territories. When reconstructed without the jumbled chronology that characterizes Sterne’s fiction, this episode relates how the whimsical narrator, Yorick, forgot to procure a valid travel document for himself prior to his precipitous departure for France, and how he eventually makes up for this neglect with the help of a well-connected count at Versailles. In purely narrative terms, it plays only a minor role in a book that, as indicated by the title, is more concerned with the emotional than the epic aspects of travel. Arguably, Yorick’s passport predicament serves simply as a pretext for introducing another suite of sentimental scenes, beginning with that of the encaged starling, evocative of the confined existence of a prisoner, and concluding with the narrator’s successful attempt to identify himself to the count by gesturing towards the gravedigger scene in Hamlet, which features the skull of his namesake, the late court jester. Yet, as I argue in this essay, the significance of the passport episode goes far beyond this narrative function.]]> Mon 23 Sep 2019 12:10:42 AEST ]]> Whitewashing history: Pinker's (Mis)representation of the Enlightenment and Violence https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:42318 Mon 22 Aug 2022 09:42:20 AEST ]]> A tale of two boycotts: riot, reform, and sugar consumption in late eighteenth-century Britain and France https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:40122 Fri 29 Jul 2022 09:01:44 AEST ]]>